Jaipongan
Jaipongan is a genre of dance that was born from the creativity of an artist from Bandung, Gugum Gumbira. His attention to folk art that one of them is making Tilu Tap right to know and recognize motion patterns perbendaharan dance traditions that existed at Kliningan / Bajidoran or Tap Tilu. Opening gestures, pencugan, nibakeun and several kinds of motion of several arts mincid above have enough inspiration to develop the dance or the arts that is now known by the name Jaipongan.
Prior to this performing art forms emerged, there was some influence behind the dance form this association. In West Java, for example, is the influence of social dance Ball Room, which is usually in a dance-dance association could not be separated from existence and pamogoran ronggeng. Ronggeng in social dance is no longer functioning for ceremonial events, but for entertainment or a way of hanging out. Ronggeng existence in the performing arts attraction that invites sympathy for the pamogoran. For example on Tilu Tap dance is so well known by the Sundanese people, it is estimated this art popular around the year 1916. As the folk performing arts, this art is only supported by simple elements, such as waditra that includes fiddle, drums, two kulanter, three percussion, and gongs. Similarly tarinya motions that do not have a standard pattern of motion, simple costumes dancer as a reflection of democracy.
Attendance Jaipongan substantial contribution to the activist art of dance for more active types of folk dances that explore previously less attention. With the emergence of dance Jaipongan, used by activists to hold a dance art dance classes Jaipongan, also used by employers as pubs, night-killer invited guests, where the further development of this kind of business opportunities created by actuators of dance as an economic empowerment efforts by Dance Studio's name or groups in some areas of West Java, for example in Subang with Jaipongan style "kaleran" (north).
Jaipongan characteristic style kaleran, namely the fun, erotic, humorous, excitement, spontaneity, and simplicity (naturally, whatever they are). This is reflected in the pattern of presentation of dance on the show, there is a given pattern (Pattern Ibing) as in art Jaipongan in Bandung, also there are also dances that are not cut is (Ibing Saka), for example in art Jaipongan Subang and Karawang. This term can be found in Jaipongan kaleran style, especially in the area of Subang. In its presentation, this kaleran Jaipongan style, as follows: 1) Tatalu; 2) Flower Bluebird; 3) Fruit kawung Gopar; 4) Dance Opening (Ibing Pattern), usually sung by a single dancer or Sinden Tatandakan (serang sinden but can not sing but dance songs sinden / interpreter kawih); 5) Jeblokan and Jabanan, is part performance when the audience (bajidor) sawer money (jabanan) while greeting stickers. Jeblokan term is defined as couples who settled between sinden and the audience (bajidor).
Kamis, 05 Agustus 2010
folk dance article kuda lumping
Folk dance
Kuda lumping
Kuda lumping horse also called braid or jathilan is a traditional Javanese dance center shows a group of soldiers on horseback. This dance uses a horse made of wicker and bamboo which is cut like a horse. This horse matting paint and decorated with colorful cloth. Lumping horse dance scenes usually show only hussar, but some appearance kuda lumping also provides attraction possessed, immunity, and magical power, like eating glass and attractions immunity against flogging whip. Jaran braid is part of the dance performances reog. Though this dance came from,, Jawatarian was also inherited by the Javanese settled in Malaysia and Singapore.
Kuda lumping is the art of dance that is played with a horse property imitation, made from woven bamboo or braids. None of the historical record can explain the origin of this dance, only verbal history passed down from one generation to the next.
History
That said, lumping horse dance is a form of appreciation and support of the commoners against cavalry of Prince Diponegoro in the face of Dutch colonizers. There is also a version that mentioned, that lumping horse dance depicting the struggle of Raden Patah, assisted by Sunan Kalijaga, against the Dutch colonialists. Another version says that, this dance tells the story of the Mataram army war game led the lane I, King of Mataram, to face the Dutch troops.
Regardless of their origin and historical value, lumping horse dance reflects the spirit of heroism and military aspects of a cavalry or cavalry. This can be seen from the rhythmic movements, dynamic and aggressive, through the flick of woven bamboo, mimicking the movement like a horse in the middle of a war.
Often in lumping horse dance performances, also featured attractions that demonstrate the power of magical supernatural smells, such as the attraction to chew glass, slashed his arms with machetes, set fire to himself, walking on broken glass, and others. Perhaps, this attraction supernatural force that reflects the antiquity of the Kingdom of developing in Java environments, and is a non-military aspects that are used to fight the Dutch troops.
Local Variations
In East Java, is familiar with public art in several areas, such as Malang, Nganjuk, Tulungagung, and other areas. This dance is usually displayed on certain events, such as the welcome guest of honor, and as a thanksgiving, the intent is granted by the Almighty.
In pementasanya, do not need a special choreography, and the supply of equipment such as Karawitan gamelan. Gamelan to accompany lumping horse dance is quite simple, consisting only of Kendang, Kenong, Gong, and trumpet, flute with a sound that is shrill. Poems are brought in to accompany the dance, usually containing the human urge to always do good deeds and always remember the Great Creator.
Besides containing the elements of entertainment and religion, traditional arts lumping horse is often also contain elements of ritual. Because before the show begins, usually a charmer rain will perform rituals, to maintain a sunny weather remember to keep the show is usually done in the open field.
Kuda Lumping Dance Performances
In each pagelarannya, lumping horse dance was presented four fragments of dance that is two times Lawas Buto dance, dance Senterewe, and dance Begon Princess.
At Buto Lawas fragments, usually danced by men only and consist of four to six men dancers. Some young dancers riding bamboo matting and dancing to the music. In this section, Lawas Buto dancers can experience the trance or possessed by spirits. The audience was not spared from this phenomenon of demon possession. Many people around who witnessed the performances become possessed by the devil and come dance with the dancers. Unconscious, they continued to dance with energetic movements and visible bond with the other dancers.
To restore the consciousness of the possessed dancers and audience, each show is always present in the progenitor, ie people who have supernatural abilities whose presence can be recognized through the clothes he was wearing all black. The progenitor of this will give bidders until the consciousness of the dancers and spectators recovered.
In the next fragment, male and female dancers to join the dance brought senterewe.
In the last fragment, with movements that are more relaxed, six females Begon dance brought the Princess, who is a dance cover of the entire chain lumping horse dance attractions.
folk dance article kuda lumping
Kuda lumping
Kuda lumping horse also called braid or jathilan is a traditional Javanese dance center shows a group of soldiers on horseback. This dance uses a horse made of wicker and bamboo which is cut like a horse. This horse matting paint and decorated with colorful cloth. Lumping horse dance scenes usually show only hussar, but some appearance kuda lumping also provides attraction possessed, immunity, and magical power, like eating glass and attractions immunity against flogging whip. Jaran braid is part of the dance performances reog. Though this dance came from,, Jawatarian was also inherited by the Javanese settled in Malaysia and Singapore.
Kuda lumping is the art of dance that is played with a horse property imitation, made from woven bamboo or braids. None of the historical record can explain the origin of this dance, only verbal history passed down from one generation to the next.
History
That said, lumping horse dance is a form of appreciation and support of the commoners against cavalry of Prince Diponegoro in the face of Dutch colonizers. There is also a version that mentioned, that lumping horse dance depicting the struggle of Raden Patah, assisted by Sunan Kalijaga, against the Dutch colonialists. Another version says that, this dance tells the story of the Mataram army war game led the lane I, King of Mataram, to face the Dutch troops.
Regardless of their origin and historical value, lumping horse dance reflects the spirit of heroism and military aspects of a cavalry or cavalry. This can be seen from the rhythmic movements, dynamic and aggressive, through the flick of woven bamboo, mimicking the movement like a horse in the middle of a war.
Often in lumping horse dance performances, also featured attractions that demonstrate the power of magical supernatural smells, such as the attraction to chew glass, slashed his arms with machetes, set fire to himself, walking on broken glass, and others. Perhaps, this attraction supernatural force that reflects the antiquity of the Kingdom of developing in Java environments, and is a non-military aspects that are used to fight the Dutch troops.
Local Variations
In East Java, is familiar with public art in several areas, such as Malang, Nganjuk, Tulungagung, and other areas. This dance is usually displayed on certain events, such as the welcome guest of honor, and as a thanksgiving, the intent is granted by the Almighty.
In pementasanya, do not need a special choreography, and the supply of equipment such as Karawitan gamelan. Gamelan to accompany lumping horse dance is quite simple, consisting only of Kendang, Kenong, Gong, and trumpet, flute with a sound that is shrill. Poems are brought in to accompany the dance, usually containing the human urge to always do good deeds and always remember the Great Creator.
Besides containing the elements of entertainment and religion, traditional arts lumping horse is often also contain elements of ritual. Because before the show begins, usually a charmer rain will perform rituals, to maintain a sunny weather remember to keep the show is usually done in the open field.
Kuda Lumping Dance Performances
In each pagelarannya, lumping horse dance was presented four fragments of dance that is two times Lawas Buto dance, dance Senterewe, and dance Begon Princess.
At Buto Lawas fragments, usually danced by men only and consist of four to six men dancers. Some young dancers riding bamboo matting and dancing to the music. In this section, Lawas Buto dancers can experience the trance or possessed by spirits. The audience was not spared from this phenomenon of demon possession. Many people around who witnessed the performances become possessed by the devil and come dance with the dancers. Unconscious, they continued to dance with energetic movements and visible bond with the other dancers.
To restore the consciousness of the possessed dancers and audience, each show is always present in the progenitor, ie people who have supernatural abilities whose presence can be recognized through the clothes he was wearing all black. The progenitor of this will give bidders until the consciousness of the dancers and spectators recovered.
In the next fragment, male and female dancers to join the dance brought senterewe.
In the last fragment, with movements that are more relaxed, six females Begon dance brought the Princess, who is a dance cover of the entire chain lumping horse dance attractions.
folk dance article kuda lumping
Jumat, 23 Juli 2010
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